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Directed Drawing Apple Worksheet: Step-by-Step Guide

Learn to draw an apple using sequenced directed-drawing steps in labeled boxes, with a practice row and self-check reference for beginners.

Free lesson
Four exercises
Worked answers

Object Drawing Lessons

Directed drawing breaks a picture into small, ordered steps so each mark is easy to place and check. This guide teaches you to draw an apple in six labeled boxes, then repeat the sequence on a blank practice row. You will use a simple convention: the apple body is a rounded shape wider at the top than the bottom, the stem sits in a small dip, and one leaf points outward. Letter styles and exact curves vary, so the rubric accepts any apple that follows the sequence and proportions. All measurements are hypothetical examples; measure your own paper and pencil before starting.

Practice materials: Printable downloads are not available for this lesson yet. Use the instructions and four exercises below.

Setting Up Your Step Boxes

Divide your paper into six equal boxes in two rows of three. A consistent hypothetical layout: on paper 21 cm wide and 18 cm tall, use 1 cm margins and 0.5 cm gaps between boxes. Three boxes 6 cm wide fit across (1 + 6 + 0.5 + 6 + 0.5 + 6 + 1 = 21 cm), and two boxes 7 cm tall fit down the page (1 + 7 + 0.5 + 7 + 1 = 16.5 cm, within 18 cm). Label them 1 to 6 in reading order. Keep a pencil, eraser, and a colored pencil if you want to add a single red or green tone after the outline is complete.

Place a small dot at the center of each box before drawing. This dot is a guide, not part of the apple. It helps you keep the apple the same size in every box so the sequence is easy to compare.

  1. Measure your paper and mark six boxes with a ruler; label them 1 through 6.
  2. Place a center dot in each box using light pencil pressure.
  3. Keep the finished reference apple visible beside box 6 for self-checking.

The Six Directed Steps

Each step adds one simple shape. Draw lightly so you can erase a guide dot or adjust a curve without smudging. The apple body is not a perfect circle: it is slightly wider near the top and narrows toward the base, with a small dip where the stem enters.

Step 1: draw a wide, shallow curve like a smile for the top of the apple. Step 2: add two short side curves that slope outward and down from the ends of the top curve. Step 3: close the bottom with a rounded curve that is narrower than the top. Step 4: draw a short stem rising from the center dip. Step 5: add one leaf attached to the stem, pointing to the right. Step 6: erase the center dot and add a small highlight curve on the upper left of the body.

  1. Box 1: draw the top curve, a shallow smile about 4 cm wide (hypothetical; about two-thirds of a 6 cm box).
  2. Box 2: add two side curves sloping outward and down from the top curve ends.
  3. Box 3: close the bottom with a narrower rounded curve.
  4. Box 4: draw a short stem from the center dip, about 1 cm long.
  5. Box 5: attach one leaf to the stem, pointing right.
  6. Box 6: erase the guide dot and add a small highlight curve on the upper left.

Practice Row and Self-Check

Below the six boxes, draw a blank practice row of three empty boxes. Repeat the six-step sequence in each box without looking at the previous box until you finish. Then compare your practice apples to the finished reference and to the rubric.

Check three things: the top curve is wider than the bottom curve, the stem sits in the center dip, and the leaf attaches to the stem rather than floating. If a curve is too narrow, erase and redraw that single step rather than starting over.

  1. Draw three empty practice boxes below the sequence.
  2. Repeat steps 1 through 6 in each practice box from memory.
  3. Compare each practice apple to the reference and rubric, then fix one step at a time.

Adding Tone Without Shading Practice

This task is directed drawing, not shading practice. If you want color, use one flat colored pencil layer inside the outline after all six steps are complete. Do not add cross-contour lines or blended shading; keep the focus on the sequenced outline and proportions.

A single highlight curve in box 6 is enough to suggest the apple's roundness. Keep it short and place it on the upper left, opposite the leaf, so the drawing stays balanced.

  1. Finish all six outline steps before adding any color.
  2. Apply one flat color layer inside the outline if desired.
  3. Keep the highlight curve short and on the upper left.

Worked example

Draw an apple in six labeled boxes using the directed steps, then check it against the rubric.

Worked answer

Box 1: a shallow top curve about 4 cm wide. Box 2: two side curves sloping outward and down. Box 3: a narrower rounded bottom curve. Box 4: a 1 cm stem from the center dip. Box 5: one leaf attached to the stem, pointing right. Box 6: erase the dot and add a short highlight curve on the upper left. The finished apple is wider at the top, narrower at the bottom, with the stem centered and the leaf attached.

Four practice exercises

Exercise 1

In box 1, draw only the top curve of an apple about 4 cm wide. In box 2, add the two side curves. Describe where the side curves start and which direction they slope.

Show answer and check

The side curves start at the two ends of the top curve and slope outward and downward, making the upper body wider than the lower body.

Why: The top curve sets the width; the side curves must begin at its ends so the body stays connected and wider at the top.

Check: Measure the distance between the side curve ends at the top and near the bottom; the top distance should be greater.

Exercise 2

Draw steps 1 through 3 in one box. Then draw a stem in step 4 that is 1 cm long and centered in the dip. Explain how you found the center.

Show answer and check

The stem starts at the lowest point of the top curve's center dip and rises about 1 cm. The center is the midpoint between the two ends of the top curve.

Why: The dip is the natural entry point for the stem, and the midpoint keeps the apple balanced.

Check: Fold the box lightly in half vertically or measure equal distances from each top curve end to confirm the stem is centered.

Exercise 3

Complete steps 5 and 6: attach one leaf to the stem pointing right, then erase the guide dot and add a highlight curve on the upper left. State one way to check the leaf is attached.

Show answer and check

The leaf base touches the stem line, and the highlight curve is short and on the upper left. Check attachment by tracing the leaf base to the stem without lifting the pencil.

Why: A leaf that touches the stem reads as attached; a floating leaf breaks the sequence.

Check: Look for a continuous line from stem to leaf base, and confirm the highlight is opposite the leaf side.

Exercise 4

Repeat the full six-step apple in a blank practice box from memory. Then compare it to the rubric and name one step you would redraw.

Show answer and check

A complete six-step apple with a wider top, narrower bottom, centered stem, attached leaf, erased dot, and short highlight. The redrawn step is whichever rubric item is weakest, such as a leaf that floats or a bottom curve that is too wide.

Why: Memory practice tests whether the sequence is learned, and the rubric identifies one specific step to improve.

Check: Score the practice apple against each rubric line and redraw only the step that fails a line.

Common mistakes

Self-check rubric

Questions and answers

Do I have to draw the apple exactly like the reference?

No. The rubric accepts any apple that follows the six-step sequence, keeps the top wider than the bottom, and attaches the leaf to the stem. Curves and leaf angles may vary.

What if my paper is a different size?

Measure your own paper and divide it into six equal boxes. The 6 cm by 7 cm box size is a hypothetical example, not a required measurement.

Can I use a pen instead of a pencil?

Yes, but pencil is easier for erasing guide dots and adjusting one curve. If you use pen, draw lightly and accept small corrections.

Is this a shading lesson?

No. This is directed drawing of an apple outline in labeled step boxes. A single flat color layer is optional, but cross-contour lines and blended shading are outside this task.

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