Free original lessons
Feelings Drawing: Labeled Emotion Faces with Feature Variations
Learn to draw emotion faces by varying brows, eyes, and mouths. Includes labeled plate, blank ovals, worked example, and four practice tasks with checks.
Free lesson
Four exercises
Worked answers
Object Drawing Lessons
This lesson teaches a clear, repeatable way to draw emotion faces by changing three feature groups: brows, eyes, and mouth. You will use a simple convention so that variations are visible and checkable, while allowing personal style. The goal is not a single correct face but a labeled set of feature choices that communicate an emotion. You will plan an original emotion-face plate with labeled variations, prepare blank face ovals for practice, and use a rubric that accepts valid alternatives. All measurements are simple and in centimeters; any numerical values are hypothetical examples to be replaced by measuring your actual paper and tools.
Practice materials: Printable downloads are not available for this lesson yet. Use the instructions and four exercises below.
Convention for feature variation
Define a face oval with a baseline (bottom of the oval) and a midline (horizontal center). X-height is the distance from baseline to midline; use it as the unit for feature placement. Letter styles vary, so treat the oval as a guide, not a rigid template. Place brows above the midline, eyes on or just above the midline, and mouth below the midline. Label each variation with a short name and a simple arrow or bracket showing the change.
Use three feature groups: brow shape (flat, raised inner, raised outer, angled), eye shape (open round, narrow, half-lidded, wide), and mouth shape (smile, frown, flat, open). For each emotion, choose one variation from each group and label it. Keep line weight consistent; if you use a pencil, note the actual line width you measure, not an assumed standard.
- Draw a face oval and mark baseline and midline; measure x-height with a ruler and write it down.
- Draw three labeled rows: brows, eyes, mouths; each row shows four variations.
- For each emotion, circle one brow, one eye, and one mouth variation and label the combination.
- Test the combination by covering the label and asking a partner to name the emotion; adjust if ambiguous.
Building the emotion-face plate
The plate is an original reference sheet. It shows the oval guide, the three feature rows, and a set of labeled emotion combinations. Use a grid of blank ovals below the rows so learners can practice copying and then varying. Keep labels short and consistent: for example, 'Brow: raised inner', 'Eye: wide', 'Mouth: open'. Avoid funny-face exaggeration; the boundary is emotion feature variation only.
Plan the plate on a single sheet. A hypothetical example: use a 20 cm by 28 cm sheet, draw six ovals of 6 cm height and 4 cm width, and leave a 2 cm margin. These numbers are examples; measure your actual paper and adjust. The plate should be reproducible by hand or by simple copying, with no reliance on software.
- Measure your sheet and choose oval size so six ovals fit with labels.
- Draw the three feature rows above the ovals and label each variation.
- Draw six blank ovals below and number them 1 to 6.
- Add a small legend explaining the convention: baseline, midline, x-height.
Using the rubric and checking work
The rubric rewards clear labeling, consistent convention, and communicative choices. It does not require a single universal face. A valid alternative is any combination that a viewer can identify from the labels and features. Check arithmetic for spacing: if x-height is 3 cm, brows should sit about 0.5 cm above midline, eyes on midline, mouth about 1 cm below midline. These are hypothetical examples; measure your actual drawing.
Use a simple check method: cover the emotion label, show the face to two people, and record their guesses. If both guess the intended emotion, the variation is clear. If not, adjust one feature group and retest. Keep a tally on the plate margin.
- Write the intended emotion under each practice oval in pencil.
- Cover the label and ask two viewers to guess; record guesses.
- If guesses differ, change only one feature group and retest.
- Erase the pencil label and write the final label in ink.
Worked example
Draw a face for 'calm' using the convention. Choose brow: flat; eye: half-lidded; mouth: flat. Place features using x-height 3 cm (hypothetical). Label the combination and state one check.
Worked answer
Draw an oval with baseline and midline. Mark x-height 3 cm. Place flat brows about 0.5 cm above midline, half-lidded eyes on midline, and a flat mouth about 1 cm below midline. Label 'Calm: brow flat, eye half-lidded, mouth flat'. Check: cover the label, ask two viewers to guess; if both say calm or neutral, the variation is clear. If not, raise the outer brow slightly and retest.
Four practice exercises
Exercise 1
Draw a face for 'surprised' using brow: raised inner and outer; eye: wide; mouth: open. Use x-height 2.5 cm (hypothetical). Label the combination.
Show answer and check
Oval with baseline and midline; x-height 2.5 cm. Brows raised about 0.5 cm above midline; wide eyes on midline; open mouth about 1 cm below midline. Label 'Surprised: brow raised, eye wide, mouth open'.
Why: Raised brows and wide eyes signal surprise; open mouth adds clarity. Placing features relative to midline keeps the face readable.
Check: Cover the label and ask two viewers to guess; record guesses. If both say surprised, the variation is clear.
Exercise 2
Draw a face for 'sad' using brow: raised inner; eye: narrow; mouth: frown. Use x-height 3 cm (hypothetical). Label the combination.
Show answer and check
Oval with baseline and midline; x-height 3 cm. Inner brows raised about 0.5 cm above midline; narrow eyes on midline; frown about 1 cm below midline. Label 'Sad: brow inner raised, eye narrow, mouth frown'.
Why: Raised inner brows and a frown are common sadness cues; narrow eyes reduce openness. Consistent placement makes the combination checkable.
Check: Ask two viewers to guess without the label; if both say sad, keep the combination. If not, lower the outer brow slightly and retest.
Exercise 3
Draw a face for 'angry' using brow: angled; eye: narrow; mouth: flat. Use x-height 2 cm (hypothetical). Label the combination.
Show answer and check
Oval with baseline and midline; x-height 2 cm. Angled brows about 0.5 cm above midline; narrow eyes on midline; flat mouth about 1 cm below midline. Label 'Angry: brow angled, eye narrow, mouth flat'.
Why: Angled brows and narrow eyes signal tension; a flat mouth avoids a smile cue. The small x-height keeps features close and intense.
Check: Cover the label and ask two viewers; if both say angry, the variation is clear. If one says neutral, angle the brows more and retest.
Exercise 4
Draw a face for 'happy' using brow: raised outer; eye: open round; mouth: smile. Use x-height 3.5 cm (hypothetical). Label the combination.
Show answer and check
Oval with baseline and midline; x-height 3.5 cm. Outer brows raised about 0.5 cm above midline; open round eyes on midline; smile about 1 cm below midline. Label 'Happy: brow outer raised, eye open round, mouth smile'.
Why: A smile and open eyes are strong happiness cues; raised outer brows add lightness. The larger x-height gives space for the smile.
Check: Ask two viewers to guess without the label; if both say happy, the combination is clear. If not, widen the smile slightly and retest.
Common mistakes
- Changing all three feature groups at once so the cause of the emotion is unclear. Change one group at a time and label which group changed.
- Placing brows and mouth without measuring from baseline and midline. Mark baseline and midline first, then measure x-height and place features relative to those lines.
- Using inconsistent labels across the plate. Create a short legend and reuse the same terms for every variation.
- Assuming a standard printer tolerance or line width. Measure your actual paper and pencil line width; label any chosen numbers as hypothetical examples.
Self-check rubric
- Plate includes baseline, midline, and x-height legend.
- Three feature rows each show four labeled variations.
- At least six emotion combinations are labeled with one feature from each group.
- Labels are consistent and readable.
- Check method is recorded (two viewers, guesses tallied).
- Valid alternatives are accepted if features and labels communicate the emotion.
Questions and answers
Do I need to draw a perfect oval?
No. The oval is a guide. Use baseline and midline to keep feature placement consistent; letter styles and oval shapes vary.
How many variations per feature group?
Four is enough for a clear plate: brow, eye, and mouth each show four labeled options. You can add more if space allows.
Can I use a digital drawing tool?
Yes, but the plate should still be reproducible by hand. Keep the convention and labels the same.
What if viewers disagree on the emotion?
That is useful data. Adjust one feature group, retest, and record the change. The rubric accepts valid alternatives.