Free original lessons
Draw Kickboxing Poses with Motion Lines: A Sequence Guide
Learn to draw kickboxing exercise poses in sequence and add clear motion lines. Includes a convention, worked example, practice tasks, and a rubric for valid alternatives.
Free lesson
Four exercises
Worked answers
Object Drawing Lessons
This guide teaches you to draw a short kickboxing exercise sequence and add motion lines that show direction and speed. You will use a simple body convention, place poses in order, and check your work with arithmetic and a rubric. The focus is kickboxing poses only: no weapons, no general exercise figures, and no stick figures. Motion lines are drawn as thin arcs or dashes that follow the path of a moving limb or body part. Because letter styles and body proportions vary, the rubric accepts any consistent, readable choice. All measurements are hypothetical examples; measure your own paper and tools before drawing.
Practice materials: Printable downloads are not available for this lesson yet. Use the instructions and four exercises below.
Set a body convention and pose order
Choose a simple but recognizable body convention: a rounded head, a torso oval, two arms with elbow joints, two legs with knee joints, and small hands and feet. Do not use stick figures; keep at least two visible body widths so the pose reads as a person. Decide a facing direction and keep it for the whole sequence. A four-pose kickboxing sequence works well: guard, chamber, extension, and return to guard.
Place the poses left to right in equal boxes. Label each box with a pose name and a small arrow showing the main motion direction. Keep the same body scale in every box so the sequence reads as one person moving. If you change scale, note why in a margin comment; the rubric allows deliberate scale changes only when they are labeled.
- Draw four equal boxes in a row, each at least 6 cm wide and 8 cm tall (hypothetical example; measure your own paper).
- In box one, draw the guard pose: both hands near the face, elbows bent, feet apart, knees soft.
- In box two, draw the chamber pose: one knee lifted, heel back, arms still guarding.
- In box three, draw the extension pose: the kicking leg extends forward, torso leans slightly back, arms counterbalance.
- In box four, draw the return to guard: the kicking leg comes back down, hands return to the face.
Draw motion lines that match the path
Motion lines should follow the actual path of the moving part. For a forward kick, draw two or three thin arcs behind the foot, curving from the chamber position toward the extension position. For a returning leg, draw shorter dashes behind the foot moving back. Keep motion lines outside the body outline so they do not hide the pose. Use a consistent line weight: for example, 0.5 mm for motion lines and 1 mm for body outlines (hypothetical values; test your own pens).
Add one small arrow at the start of each motion-line group to show direction. Do not draw motion lines on still parts such as the planted foot or the guarding hands unless they also move. If a hand moves, give it its own short line group. The goal is clarity: a reader should know which part moved, in which direction, and roughly how fast.
- Identify the moving part in each box: foot, knee, torso, or hand.
- Draw two or three thin arcs behind the moving part, following its path from the previous pose.
- Add a small arrow at the tail of the arcs to show direction.
- Keep motion lines outside the body outline and away from the face.
- Check that still parts have no motion lines.
Check sequence logic and spacing
A sequence is readable when each pose connects to the next. Check that the chamber pose shows the knee lifted before the foot extends, and that the return pose brings the foot back toward the guard. If the foot appears to teleport, add an intermediate note or adjust the motion lines. Use simple arithmetic to check spacing: if four boxes are 6 cm wide with 1 cm gaps, the total width is 4 × 6 + 3 × 1 = 27 cm. Measure your own row and adjust before drawing.
Keep the same ground line in every box so the planted foot stays at a consistent height. If the kicking foot rises, show the height change with a small vertical guide line and label it. The rubric accepts any consistent ground line, but it must be visible and used in all four boxes.
- Measure the total row width and compare it to your paper width.
- Draw one ground line across all four boxes at the same height.
- Check that the planted foot touches the ground line in every pose.
- Check that the kicking foot rises in the chamber and extension poses.
- Label any height guide lines with a short note such as 'foot height'.
Worked example
Draw a three-pose kickboxing sequence: guard, chamber, extension. Add motion lines for the kicking foot and label the direction. Use four boxes of 6 cm width with 1 cm gaps and state the total row width.
Worked answer
The row has three used boxes and one empty box for notes. Total width is 4 × 6 + 3 × 1 = 27 cm. Box one shows guard with both hands near the face and feet apart. Box two shows the right knee lifted, heel back, with two thin arcs behind the right foot moving forward and a small arrow pointing forward. Box three shows the right leg extended forward, torso leaning slightly back, with three thin arcs behind the foot and an arrow pointing forward. The planted left foot has no motion lines. A ground line runs across all boxes, and the planted foot touches it in every pose.
Four practice exercises
Exercise 1
Draw a two-pose sequence: guard and chamber. Add motion lines for the lifting knee only. Use two boxes of 5 cm width with a 1 cm gap and state the total width.
Show answer and check
Two boxes of 5 cm with one 1 cm gap give 2 × 5 + 1 = 11 cm total width. Box one shows guard. Box two shows the knee lifted with two short arcs behind the knee moving upward and a small arrow pointing up. The planted foot and hands have no motion lines.
Why: The knee is the moving part between guard and chamber, so motion lines belong behind the knee. The arithmetic checks the row width before drawing.
Check: Measure the row to confirm 11 cm. Check that only the knee has motion lines and that the arrow points upward.
Exercise 2
Draw a three-pose sequence: chamber, extension, return. Add motion lines for the kicking foot in the extension and return poses. Use three boxes of 7 cm width with 0.5 cm gaps and state the total width.
Show answer and check
Three boxes of 7 cm with two 0.5 cm gaps give 3 × 7 + 2 × 0.5 = 22 cm total width. The extension pose has two arcs behind the foot pointing forward. The return pose has two shorter dashes behind the foot pointing back toward the guard. The planted foot has no motion lines.
Why: The foot moves forward in extension and back in return, so the motion lines change direction. The arithmetic checks the row width.
Check: Measure the row to confirm 22 cm. Check that the extension arrows point forward and the return arrows point back, and that the planted foot has no lines.
Exercise 3
Draw a four-pose sequence with one deliberate scale change in box three. Label the change in a margin note. Add motion lines for the kicking foot in boxes two and three. Use four boxes of 6 cm width with 1 cm gaps and state the total width.
Show answer and check
Four boxes of 6 cm with three 1 cm gaps give 4 × 6 + 3 × 1 = 27 cm total width. Box three is drawn 20 percent larger and labeled 'scale change: 1.2×' in the margin. Motion lines appear behind the kicking foot in boxes two and three, with forward arrows. The planted foot has no motion lines.
Why: A labeled scale change is allowed by the rubric. Motion lines stay on the moving foot only. The arithmetic checks the row width.
Check: Measure the row to confirm 27 cm. Check that the margin note is present and that motion lines appear only on the kicking foot in boxes two and three.
Exercise 4
Draw a four-pose sequence right to left: guard, chamber, extension, return. Add motion lines for the kicking foot and one hand that moves from guard to counterbalance. Use four boxes of 8 cm width with 1 cm gaps and state the total width.
Show answer and check
Four boxes of 8 cm with three 1 cm gaps give 4 × 8 + 3 × 1 = 35 cm total width. The sequence reads right to left with arrows pointing left. The kicking foot has arcs behind it in the chamber and extension poses. The moving hand has two short dashes behind it in the extension pose. The planted foot has no motion lines.
Why: Right-to-left is acceptable if arrows and labels are consistent. The hand moves, so it gets its own short motion-line group. The arithmetic checks the row width.
Check: Measure the row to confirm 35 cm. Check that all arrows point left, that the moving hand has dashes, and that the planted foot has no lines.
Common mistakes
- Drawing motion lines on still parts such as the planted foot or guarding hands. Remove lines from still parts and add them only to the part that moved between poses.
- Using stick figures or single-line limbs that do not read as a body. Redraw with a rounded head, torso oval, and two visible body widths for each limb.
- Making motion lines cross the face or hide the pose outline. Move motion lines outside the body outline and keep them behind the moving part.
- Changing body scale between boxes without labeling it. Keep one scale for all four boxes, or add a margin note explaining any deliberate scale change.
Self-check rubric
- Four poses are present and in a readable kickboxing order: guard, chamber, extension, return.
- The body convention is consistent and not a stick figure; head, torso, arms, and legs are visible.
- Motion lines appear only on moving parts and follow the path with a direction arrow.
- Motion lines stay outside the body outline and do not hide the face or pose.
- A ground line is visible and used consistently; the planted foot touches it.
- Labels and arrows are readable and consistent in direction.
- Any scale change or height guide is labeled in a margin note.
- Valid alternatives are accepted: different guard styles, left or right kick, curved arcs or straight dashes, and right-to-left sequence, provided the choices are consistent and labeled.
Questions and answers
How many motion lines should each moving part have?
Two or three thin arcs or dashes are enough. More lines can clutter the pose; fewer may not show direction clearly.
Can I draw the sequence right to left?
Yes, if you keep the facing direction and motion arrows consistent. The rubric accepts either direction as long as the sequence reads in order.
What if my kickboxing style uses a different guard?
Use your style's guard and label it in box one. The rubric checks consistency and readability, not one universal guard position.
Do motion lines need to be curved?
Curved arcs usually read better for kicks, but straight dashes are acceptable if they follow the path and include a direction arrow.